Several weeks ago, I attended a weekend long writing workshop at the local college, presided over by Gail Anderson-Dargatz (The Cure For Death By Lightning). It was a neat experience, to be sure, listening to the opinions of one of Canada’s most well known literary authors. However, after the two days, it turned out I knew most of the things we discussed, and I’m already doing things right in terms of getting my name out there, but I’m going to quickly cover some of the things we discussed. Here, I’ll copy down the
meagre notes I took and add on to the ones that I found particularly relevant. Hopefully one of you will find it as helpful as I did! Continue reading
I’ve already discussed briefly how important music is to me when I’m writing. I have folders of about 500 songs on iTunes from an assortment of sources – movies, video games, tv shows – that suit me well when I’m writing particular scenes. They’re orchestral, for the most part, scores and soundtracks, and only a few have vocals. It’s the music that makes your hair stand on end while watching a tense scene in a movie, or the peaceful melody you hear while wandering the countryside in your favourite video game.
On the left, you can see how my folders are laid out, according to the mood of the scene I’m writing. I also have a folder for Purity alone, which is filled with darker industrial music, like the Queen of the Damned
worst movie ever but amazing music soundtrack and Marilyn Manson. Things that suit vampire stories.
Authors – and anyone who creates a character – are a twisted group. Why? Because they literally play god for these characters and can do to them whatever they please.
Of course, this does include the niceties. Happiness, wealth, romance – most characters get these at some point. But in order to make a story interesting, there must be some devastation. And that devastation usually happens to the main characters.
Authors like to watch their creations squirm.
It isn’t that we’re a terrible group of people – but life simply isn’t a long trail of ups. The downs have to happen as well. But when an author thinks of something bad to happen to a character, they can sometimes enjoy it.
We are perverse. Continue reading
WARNING: This may or may not end up as a rant. We’ll see when we get there.
As you all
should know by now, I am a novelist. I write fiction stories that are completely made up. A friend of mine, Glynn, writes nonfiction, as she is a certified journalist. This is something that concerns us both.
People know that I write stories, and they tell me that I should become a journalist, because then I could make writing my living. This, while a practical, cookie-cutter thing to say, is really not at all helpful. I am lousy at writing nonfiction, which, you know, is exactly what journalism is. Fiction is my forte, and just because I write doesn’t mean I can write everything.
Glynn, on the other hand, writes nonfiction as a journalist, and people frequently tell her that she should write a book. It’s the same situation as mine, but reversed: she might not be able to do it, because of her writing history.
Glynn and I have a good thing going. I’m constantly seeking out editors to help me comb through my stories to make sure they’re as good as they’re going to be. Glynn, due to the fact that she is a journalist, is more than happy to help me edit for grammar and the like, and not necessarily for the story itself. But here’s the thing: editing for fiction and editing for nonfiction are completely different. Continue reading
What a loaded question. So I’ll start off simple and chip away from there.
I write to tell a story. I write to entertain people and to cement ideas that are whirling about in my head. I’m not here to make a point. I’m not here to put some subtle allusion to society, to politics or religion or war, into my novels. If that happens on its own, or someone sees it that way, so be it.
But I am here simply to tell a story.
Some people want to make a point, and I admire that. Deeper tales knitted into something light are necessary to get you thinking. I certainly have opinions on things, some quite passionate, but I’m not the type of person to shove them into my book just to get someone to notice it.
Because they can be insightful, because I have nothing better to do
that’s a lie, I should be developing the world of Changeling more, or writing more Abomination, or editing Purity, or starting on the rewrite of Of the Arbour, or–
And hey, maybe it’ll give everyone else more of an idea of just why I do what I do, and where this all comes from.
Taken from the deviantART page of Elisa Nuckle.
1. When did you start writing?
I’ve been writing stories for most of my life. I cleaned out my closet recently and discovered so many little half-baked stories that I’d come up with when I was younger than ten. I’ve known I’ve wanted to be an author since I was 13, but only recently have taken the major steps toward that goal, and actually written something worth publication.
2. When you were a beginning writer, what did your write primarily? What do you write now, primarily? (i.e. romance, fan-fiction, poetry)
I wrote plenty of Star Wars fanfiction that will never see the light of day. From there, I began to write sci fi stories that were based closely on Star Wars. In grade seven, a friend and I wrote a novel about vampires called Tears of Blood, which was completely scrapped save for one character: Fane, the son of Dracula, who now resides in Purity. I now usually write fantasy, high and epic. Continue reading
When I first started writing Changeling, the story was set on a single continent: Cyril. It was, like much fantasy, a decidedly medieval European setting – of the thirteen territories, five are based on England, one on France, one on Scotland, one on Wales, one on Poland/Czech Republic, one on Greece, and one on English colonies. Then as the story progressed, I added a second continent, which was based on Indian and Arabic settings of the real world; this was called Kriss.
Imagination progressed, as it is apt to do, and a third continent was imagined: Althaea. Although none of Changeling is set on Althaea, references are made to the culture to the east, and it is mentioned in passing. Althaea is based on German and Native American cultures, as well as English colonies, because the people of Cyril have shipped across the sea to try to claim it as their own.
So here I am, 70 000+ words into Changeling’s sequel, Abomination, and out of the blue while I’m working, I come up with a fourth continent idea, the tentative name of which is Thörstaag.
It, obviously, will be based on Norse and Scandinavian cultures. Continue reading