Of the Arbour rewrite update, and the similarities in style

As you may have seen with a previous post, I’ve begun writing a rewrite for Of the Arbour. It started out strong and feverish, but now that the initial excitement has worn down a little, it’s become as plodding as the other stories I’m working on not that I’m slow, per se, but I’ve been weathering a slump as of late. I’m very pleased with the direction it’s going so far, despite being only around 15 000 words in. I’m still really excited to get to some of the major plot points coming up. Sage’s final year at the Arbour is only just starting where I’m at, and with it come strange dreams, a permanently crippling injury or two, and a life-shattering revelation. I’m also very excited to get past his time at the Arbour, and touch over his time spent as a mercenary before leaping into his meeting of Maia and Stride, rediscovery of old friends, and the beginning of the main plot’s manhunt. I plan on this being a lot darker and more violent than the original, which was fairly violent to begin with. Lots more descriptions of how bleak and grim of a place Hailstone is.

Not a lot of note has changed since the original, save a few minor things touched on in a previous post.

  • Carol’s name has changed to Thalia
  • Sage has more friends
  • but is more reviled by his classmates
  • He doesn’t deal with this well, and gets into more fights than the original (in which he got into a lot of fights; 15 000 words in and he’s already been hospitalized 4 times) as his way of dealing with it
  • He knows virtually nothing about his parentage (he used to know a little about his father)
  • He’s self-conscious about his appearance—despite being a strapping young lad in my head—and especially his height (he towers a head over most men)
  • Kell, a friend two years younger than he, has become a major character quite without my meaning her to. She’s a fiery redheaded giantess (she’s taller than Sage by an inch or two) with a foul mouth and a hairtrigger temper. Which actually ties in with the second part of this post:

I noticed something the other day as I was writing a scene between Sage and Kell in which she harasses him about his sex life. While he fumbled about in true, head-to-toe blushing, awkward Sage fashion, she sat there with a wolfish grin and watched him squirm. She talks in slang and is considered foul and uncouth by other characters.

In other words, she’s a redheaded Sophia Henson.

For those who might be unaware, Sophia is a minor character in Changeling, who grows up to become a major character in Abomination. She’s 10 in Changeling, a precocious raven-haired girl who has a penchant for swearing, getting her way, getting in scraps with boys—who also happens to be the daughter and only child of Vincent Henson, the pirate king of Canton. In Abomination, she’s hitting 30, has become powerful in her own right, keeps daggers on her person at all times, is known for her brutal war over Canton (during the first year of which she never bathed, so the people would see that she still wore the blood of her enemies), and uses such phrases as:

  • old whore’s cooter
  • meat shield
  • calm your balls
  • son of a cock sucking whore
  • for fuck’s sake
  • what in the holy shit
  • witching slut Continue reading

Insomnia Strikes: Of the Arbour teaser

He could see shapes in the ceiling.

Shadows writhed in a sensual dance as the dying embers of his candle spat and faded. What little light remained cast an eerie glow across the worn stone walls of his room, and the edges where the mortar had crumbled and flaked away had shadows like spider legs stretched across the surface. The door on the other side of the room was invisible, swallowed by blackness; for a moment he considered taking the time to relight the candle, then decided that wasting the flint would be ridiculous. Master Korrin wasn’t about to give him more because he thought the shadows on his ceiling would give him nightmares.

He rolled his shoulders and winced as bolts of pain shot down his spine and spread through his muscles. Nightmares weren’t for the waking world—usually, he reminded himself with a small shudder. One required sleep to have nightmares. Continue reading

Sometimes, the most difficult part of being a writer is pushing past procrastination

And procrastination is a son of a bitch, let me tell you.

Maybe the problem is that I’m trying to do too much at once – rewrite Of the Arbour, write Abomination, edit Changeling and The Time Between, edit Purity, write When Gods Descend – or maybe it’s because the STEAM SUMMER SALE just started and I’m a sick human being.

In one day, I managed to buy everything on my wish list: Mass Effect 1 and 2, and the Sims 3 Seasons and University expansions. Mass Effect and the Sims have been dominating my life for the past week; I bought them last Saturday.

That being said, ME is a really good source of inspiration, if only for When Gods Descend (which, by the way, if I forgot to mention, is the working title of the sci-fi story I started).

Writers, though, generally speaking, are an anxious bunch riddled with self-doubt and pitiful isolation. We have a tendency to get caught up in our own worlds and this has a tendency to shut down our brains for a while. Hence, writer’s block. I don’t necessarily have that at the moment – I technically know where I want everything to go – but I’m so distracted by other things I’m having a hard time getting there.

I think my best option would be to cut myself some slack and only focus on one project at a time for a while. Picking one will be hard (probably Abomination, though) and just ignoring all else but that for the time being. Jumping around between so many is getting impossible.

Writer problems, amirite?

Does anybody else have this problem? It’s always so tempting to start something new, and so easy to bail partway through when life gets in the way.

Rewrites, and the complexities within

Not every author or every manuscript will need this, but many people have been subject to the horrors of rewrites, myself included – I’ve rewritten Purity three times including this most recent copy, and I might have to rewrite part of it again.

Rewrites are hard. They are beyond the realm of editing and in a world of their own – to take a finished manuscript and basically scrap it in favour of a more updated version is to cut up part of your soul and your logic, because who really in their right mind wants to do something like that.

Starting a rewrite is an exciting prospect. Later, once you’re elbow deep in your own guts and gore, is when you get exhausted with the whole procedure. But starting is exhilarating.

I just recently started the first and hopefully only rewrite of Of the Arbour. While I adored the characters and the story, I felt that the style could age up. I’ve grown plenty in maturity and style since originally writing it what was it, at least four years ago? How time flies so a rewrite was necessary.

Continue reading

Sparring: Of the Arbour teaser

He was exhausted.

His muscles trembled when he moved, hopping back and scraping his feet on sharp rock. Lifting his arms was a challenge, but he had no choice—he had to keep going. When it came, and steel crashed against steel, he felt the vibration in his very bones. They seemed to grind together in his hands where he gripped the smooth leather hilt; but he felt no pain in his flesh, where the skin had grown thick and tough with practice. He knew his soles bled—he had seen the smears of brownish red on the stone floor—but he felt nothing. Aside from hot streaks of salt where the sweat slid down his temples and his chest, his flesh was numb; the pain he felt was etched into his bones, coursed through his muscles with each movement.

But he had to continue. What small part of his mind that wasn’t overwhelmed by his exhaustion knew that he had no choice but to keep going.

The crash came again and again. His breath was loud in his ears, and sweat stung his eyes; he blinked it away and pushed back, giving himself even a fraction of a second to catch his breath.

Cain’s cheeks were flushed mottled scarlet, and his curls were plastered to his skull with sweat. Sage could have smiled, if he had more energy. It came as something of a small relief to know that Cain was just as worn out as he.

The reprieve was brief. Eyes narrowed, sword hilt clenched in both hands, Cain let out a guttural roar and pushed forward off the rocky floor. Sage only had a moment to react, and then their swords were once more locked together. One more step back; another swing and block; and the screech of metallic song that made his ears ring.

As he danced around Cain’s attacks, blocking almost mindlessly, he wondered how long they had been at this. Sunshine streamed in dusty beams through the open mouth of the cave. Sage’s sword met Cain’s once more, and when he shoved it away he hopped backwards several steps, both in an effort to dodge Cain’s relentless blows and to better see the sun.

An hour at least since they began the fight. An hour of the most brutal training of his life.

By the gods, how he wanted it to end.

But there was no end. There would be no end until blood stained one of their blades, and Sage had sense enough to know that it couldn’t be his.

Of the Arbour news: a rewrite!

© Jessica Marshman
© Jessica Marshman

I’m thrilled to announce that as of June 8, Of the Arbour has begun its first rewrite.

I adore the characters and enjoy the story, but I felt that the style of writing was juvenile. I have definitely improved since I finished writing it, which I think is one of the main reasons I’ve stalled in writing about Sage and Co. This new rewrite is already 5000+ words and two chapters in, and I’m very pleased with the way it’s going so far. Already I can see that it’s going to be a vast improvement on the initial manuscript.

The work of an author is never done, even when they think it is.

I’ll be sure to post snippets of the new version as I write them. More regular bits that I’m proud of appear on occasion on my Facebook page and my Twitter feed. So, you know, check them out and stuff.

Authors are a sick breed

Authors – and anyone who creates a character – are a twisted group. Why? Because they literally play god for these characters and can do to them whatever they please.

Of course, this does include the niceties. Happiness, wealth, romance – most characters get these at some point. But in order to make a story interesting, there must be some devastation. And that devastation usually happens to the main characters.

Authors like to watch their creations squirm.

It isn’t that we’re a terrible group of people – but life simply isn’t a long trail of ups. The downs have to happen as well. But when an author thinks of something bad to happen to a character, they can sometimes enjoy it.

We are perverse. Continue reading

Why do I (and you) write?

What a loaded question. So I’ll start off simple and chip away from there.

I write to tell a story. I write to entertain people and to cement ideas that are whirling about in my head. I’m not here to make a point. I’m not here to put some subtle allusion to society, to politics or religion or war, into my novels. If that happens on its own, or someone sees it that way, so be it.

But I am here simply to tell a story.

Some people want to make a point, and I admire that. Deeper tales knitted into something light are necessary to get you thinking. I certainly have opinions on things, some quite passionate, but I’m not the type of person to shove them into my book just to get someone to notice it.

Continue reading

A basic writer Q & A

Because they can be insightful, because I have nothing better to do that’s a lie, I should be developing the world of Changeling more, or writing more Abomination, or editing Purity, or starting on the rewrite of Of the Arbour, or–

And hey, maybe it’ll give everyone else more of an idea of just why I do what I do, and where this all comes from.

Taken from the deviantART page of Elisa Nuckle.
1. When did you start writing?

I’ve been writing stories for most of my life. I cleaned out my closet recently and discovered so many little half-baked stories that I’d come up with when I was younger than ten. I’ve known I’ve wanted to be an author since I was 13, but only recently have taken the major steps toward that goal, and actually written something worth publication.

2. When you were a beginning writer, what did your write primarily? What do you write now, primarily?  (i.e. romance, fan-fiction, poetry)

I wrote plenty of Star Wars fanfiction that will never see the light of day. From there, I began to write sci fi stories that were based closely on Star Wars. In grade seven, a friend and I wrote a novel about vampires called Tears of Blood, which was completely scrapped save for one character: Fane, the son of Dracula, who now resides in Purity. I now usually write fantasy, high and epic. Continue reading

Naming a book

And what a bloody process it is.

The title of the book is, obviously, one of the most important parts of the writing process itself. If you have a stupid name, despite how good the book may be, people are going to judge it and be less likely to pick it up or buy it.

Being that I work in a bookstore, I encounter some pretty heinous book titles quite often. Namely, romance and mystery titles. They’re often punny or just straight up ridiculous.

Ideally, you would name your book something enticing that relates well with the plot or characters. For example, my favourite book, Outlander, by Diana Gabaldon, is called Outlander because the main character, Claire Randall, is nicknamed Sassenach by her confidante Jamie Fraser; Sassenach is a Scots Gaelic word meaning, you guessed it, outlander (at worst; at best, it means Englishman, which Claire also is).  Continue reading