Music, and when it blows your mind

I’ve already discussed briefly how important music is to me when I’m writing. I have folders of about 500 songs on iTunes from an assortment of sources – movies, video games, tv shows – that suit me well when I’m writing particular scenes. They’re orchestral, for the most part, scores and soundtracks, and only a few have vocals. It’s the music that makes your hair stand on end while watching a tense scene in a movie, or the peaceful melody you hear while wandering the countryside in your favourite video game.

music

On the left, you can see how my folders are laid out, according to the mood of the scene I’m writing. I also have a folder for Purity alone, which is filled with darker industrial music, like the Queen of the Damned worst movie ever but amazing music soundtrack and Marilyn Manson. Things that suit vampire stories.

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Fiction and nonfiction: What is acceptable and what isn’t?

WARNING: This may or may not end up as a rant. We’ll see when we get there.

As you all should know by now, I am a novelist. I write fiction stories that are completely made up. A friend of mine, Glynn, writes nonfiction, as she is a certified journalist. This is something that concerns us both.

People know that I write stories, and they tell me that I should become a journalist, because then I could make writing my living. This, while a practical, cookie-cutter thing to say, is really not at all helpful. I am lousy at writing nonfiction, which, you know, is exactly what journalism is. Fiction is my forte, and just because I write doesn’t mean I can write everything.

Glynn, on the other hand, writes nonfiction as a journalist, and people frequently tell her that she should write a book. It’s the same situation as mine, but reversed: she might not be able to do it, because of her writing history.

Glynn and I have a good thing going. I’m constantly seeking out editors to help me comb through my stories to make sure they’re as good as they’re going to be. Glynn, due to the fact that she is a journalist, is more than happy to help me edit for grammar and the like, and not necessarily for the story itself. But here’s the thing: editing for fiction and editing for nonfiction are completely different. Continue reading

Why do I (and you) write?

What a loaded question. So I’ll start off simple and chip away from there.

I write to tell a story. I write to entertain people and to cement ideas that are whirling about in my head. I’m not here to make a point. I’m not here to put some subtle allusion to society, to politics or religion or war, into my novels. If that happens on its own, or someone sees it that way, so be it.

But I am here simply to tell a story.

Some people want to make a point, and I admire that. Deeper tales knitted into something light are necessary to get you thinking. I certainly have opinions on things, some quite passionate, but I’m not the type of person to shove them into my book just to get someone to notice it.

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A basic writer Q & A

Because they can be insightful, because I have nothing better to do that’s a lie, I should be developing the world of Changeling more, or writing more Abomination, or editing Purity, or starting on the rewrite of Of the Arbour, or–

And hey, maybe it’ll give everyone else more of an idea of just why I do what I do, and where this all comes from.

Taken from the deviantART page of Elisa Nuckle.
1. When did you start writing?

I’ve been writing stories for most of my life. I cleaned out my closet recently and discovered so many little half-baked stories that I’d come up with when I was younger than ten. I’ve known I’ve wanted to be an author since I was 13, but only recently have taken the major steps toward that goal, and actually written something worth publication.

2. When you were a beginning writer, what did your write primarily? What do you write now, primarily?  (i.e. romance, fan-fiction, poetry)

I wrote plenty of Star Wars fanfiction that will never see the light of day. From there, I began to write sci fi stories that were based closely on Star Wars. In grade seven, a friend and I wrote a novel about vampires called Tears of Blood, which was completely scrapped save for one character: Fane, the son of Dracula, who now resides in Purity. I now usually write fantasy, high and epic. Continue reading

The cover of Purity revealed!

JP Marshman - Purity - Book Cover

Purity’s cover is designed, and the book is finished!

I neglected to announce it on the old blog, but Purity is completed, with round one of edits done. Everything is prepared in the file, including not only the manuscript, but acknowledgments and a little author bio at the end, and with the cover finished it’s nearly ready to be put for sale! I have some beta readers lined up to go through and edit for me as well, and hopefully the book will be ready for everyone to read around the New Year.

This is happening quickly, so be on the lookout for more updates!

Naming a book

And what a bloody process it is.

The title of the book is, obviously, one of the most important parts of the writing process itself. If you have a stupid name, despite how good the book may be, people are going to judge it and be less likely to pick it up or buy it.

Being that I work in a bookstore, I encounter some pretty heinous book titles quite often. Namely, romance and mystery titles. They’re often punny or just straight up ridiculous.

Ideally, you would name your book something enticing that relates well with the plot or characters. For example, my favourite book, Outlander, by Diana Gabaldon, is called Outlander because the main character, Claire Randall, is nicknamed Sassenach by her confidante Jamie Fraser; Sassenach is a Scots Gaelic word meaning, you guessed it, outlander (at worst; at best, it means Englishman, which Claire also is).  Continue reading

The dogs of war: Purity teaser

He could feel anger radiating from Vanessa like steam. He understood why, of course. He had ample opportunity to shoot Heinrich in a fatal zone—the heart, the head—and end this foolish war without further bloodshed.

But Vanessa didn’t understand. Vanessa had never been truly lost and alone in her darkest time of need, had never found that one person with whom to seek solace. In truth, Vanessa had no friends. Only allies.

No matter what happened, Heinrich had been a friend.

Fane gritted his teeth and tightened his grip on the pistol at his side. Joachim was right. He wasn’t strong enough to kill the man who had been his pillar of strength after the deaths of his father and Verity.

Heinrich snarled another curse in German. He released his injured arm and, before Fane could even move to react, grabbed a fistful of Joan Gwyther’s hair, yanking her upright. She shrieked, thrashing, but Heinrich held tight. “See what you have done, Fane!” he roared, loud enough to startle birds from their roosts. “This is the end! Everything you have fought so hard to protect will die today!” Continue reading

The process of writing

Everyone does it differently. Some people write passionately with pen and paper, and only pump it into the computer once there’s a significant amount. Some take notes and plot the entire story out before even writing the first word. The goal is the same – write the story – but getting there is different for everyone.

I write by the seat of my pants. The one time I can remember plotting out entire points throughout a story, I veered so drastically off course from the timeline that it could have been a different story altogether. I learned then that plotting out every detail is not for me. So I changed it, and I gave up trying to write down what I wanted to happen. If I stuck to a single idea, that was all well and good, but if not, hey, as long as I ended up liking the story, I really didn’t mind.  Continue reading

Putting oneself into one’s characters

Everyone who writes is guilty of this. It isn’t bad, of course. We can relate better and work better with a character we know, who is derived from ourselves. But even if we strive to avoid putting too much of ourselves into our characters, it still happens, and it comes as a big shock when we notice.

For example, the main characters of my three main muses are Sage, from OtArb, Aisling, from Changeling, and Caitlyn, from Purity. Sage, despite being male, is very much like me – or at least, he certainly was when I created him a few years ago. Generally pretty quiet, a little awkward, agnostic, and something of an insomniac. He represents my solitary side, and I’m fully aware of it. It’s similar with Caitlyn. She’s more of my goofier side, with immature jokes and a girlier nature. Continue reading

Judging a book by its cover

Of course there is the old adage about trying not to judge a book by its cover, but sometimes we’re guilty of just that. And I do mean literally judging a book by its cover, not some thoughtful thing about inner beauty and crap.

When I started reading the Sookie Stackhouse books by Charlaine Harris, prompted by my love for the HBO series True Blood, I couldn’t believe what I was looking at. I couldn’t believe the editors and publishers of these books, which aren’t terrible to read, actually looked at them and said, “Yes, this is exactly what will sell these urban fantasy novels.”

Why. Just, why.

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